The film explores and identifies the hope to be found in the ashes of Ground Zero and in the wake of Columbine while never once attempting to sugarcoat the real darkness and danger that exist in our world. The shelves and tabletops are as barren as those in a display home. Eva often looks like she's in a state of shock. This is not entirely his fault. Swinton said as much in an interview, Its about her fears and the horror of what she knows about herselfusing him as a kind of projection of her own self-loathing. The ending of the film leaves Eva's fate up in the air. But Kevin is just getting started, and his final act will be beyond anything anyone imagined. Sign up for weekly updates from Busted Halo! Indeed, one of. What is the streaming release date of We Need to Talk About Kevin (2011) in Canada? Jake Martin, SJ, is a Jesuit priest, comedian and writer. Maybe everything else is intended to be a flashback, and the timeline begins when she finds out what Kevin did at his high school. Also read:Author Lionel Shriver on her early writing, politics, essential reading list and persevering out of 'sheer spite'. Watch Indie Spirit Stars Suggest Indie Gems You Must Watch Right Now. Through association and contextualization, it becomes evident that Kevin killed his father and sister with the new and powerful bow and arrow that he received as a Christmas present from his father. Putting herself through a painful process of introspection, she revisits moments from well before Kevin's birth to the eventual tragedy. Where do you think Jentorra's story goes next? Her public perception is unlikely to change, but Eva appears firm in her choice to stick around for Kevin's sake. The Bad Mother refers to oppressive puritans like Margaret White in Carrie. Eva has spent the events of the film in deep introspection, coming to terms with the fact that she was an abusive mother, and at least some of what happened grew out of that. Secretary of Transportation Pete Buttigieg's response to Donald Trump's refusal to accept any responsibility for the impact his massive deregulations have had went viral on Thursday as video of him encouraging the ex-president to support the Biden administration's efforts went viral. The white curtains create an ambiance of premonition, and as the camera tracks forward, we see Franklin and Celia lying dead in the middle of the back garden, blood-drenched arrows stuck to their bodies like leeches. Plus, she also touches on a potentially big deleted scene that would've seen her cross paths with Krylar (Bill Murray) and teases possible beef with Janet van Dyne (Michelle Pfeiffer). Besides their physical likeness, Eva and Kevin also share a certain coldness, which plays into Eva's self-hatred. Thats the underlying message of We Need to Talk about Kevin, Lynne Ramseys remarkable allegory on the transcendent nature of relationships. We cling to guidelines like the length of Tilda Swinton's hair to figure out where we are. Fast forward to fifteen year old Kevin, and we can see that this habit has become his worldview. Or did Kevin turned this way because she messed him up from the very birth. For removal of copyrighted images, trademarks, or other issues, Contact Us. Use the boards for extended discussion. The novel by Lionel Shriver relates the story through a series of letters Eva writes to her husband Franklin. Keep your comments focused on the film. Kevin is a defiant baby who screams incessantly but never around Franklin. We Need To Talk About Kevin - Behind the Scenes - Tilda Swinton Movie (2011) HD - YouTube 0:00 / 2:18 We Need To Talk About Kevin - Behind the Scenes - Tilda Swinton Movie. But Eva is incapable of showing him the love that he deserves, even after trying her best. But we can safely assume that Kevin did not literally eat the eyeball. KATY: Yeah, I mean, this obviously had the difference between TV and movie. The desolate inner worlds of Ramsay's protagonists come alive through a sensory perspective. All logos and images used on this website are registered trademarks of their respective companies. He can't understand her, but don't you suppose he understands her dislike? Kevin examines both our darkest moments and those slivers of Grace that sustain us. The mistake would be to take the film apart and try to reconnect the pieces in chronological order. So, that part I kind of liked because it shows, okay, this is what someone who's still fighting, interacting with someone who kind of essentially gave in. The kid was screaming nonstop from the go, as infant. Who's there when Kevin gets sick? For more information, please see our Psychology Today describes the "nature vs. nurture" debate as questioning how both elements impact a person's characteristics. Those trucks have the new UPS logo, where if the time-frame is correct, the trucks would have had the old logo of a stringed parcel above the UPS Shield. ", Did Kevin internalize her hatred of him, or is she just feeding into his innate instability? His reply: "You don't want to kill your audience.". None of that takes anything away from yet another deeply felt performance by the always-interesting Swinton. The film follows the relationship between a mother and son, Eva (Tilda Swinton) and Kevin (played as a teenager by Ezra Miller and as a child by Jasper Newell) through a pastiche of sequences spanning the course of Kevins first eighteen years. He completely denies the reality of Kevin's personality and identity, and thus any agency over their relationship. 112 minutes From ths beginning of the movie they lay out the whole story, but it isn't until you watch the full thing that you piece everything together and get this larger than life story. When he breaks his arm? Kevin gets taught about sex from his mother but he already knows what it is and calls it "fucking". Kevin knows that Celia is his mothers favorite offspring, and he goes to great lengths to make his mother feel uncomfortable. Kevin is a story of hope for a new millennium, an Its a Wonderful Life in the age of school shootings and planes crashing into buildings a world-weary world that has been bombarded by nihilistic themes in their narratives for the better part of a century. In We Need to Talk about Kevin, Eva is literally on trial for parental negligence. Prosecutors downgrade charges in Alec Baldwin shooting case, Die Hard star Bruce Willis has frontotemporal dementia, condition worsens, As We Need to Talk about Kevin turns 10, a look at what made it such a haunting meditation on motherhood. Their tumultuous relationship goes from annoyance over his smashing jammy bread onto the coffee table to feelings of fear after he stuffs the family pet down the garbage disposal. He grows into a spiteful toddler, refusing to say "mommy" and egging on her frustrations. Kevin is far too malevolent, which might work in a Rosemary's Baby horror context, but not here (admittedly it does verge on horror at times but ultimately we are asked to empathise with Eva's travails as a mother). The wife and mother, Eva (Tilda Swinton), has been so overwhelmed by despair that her life exists in her mind all at the same time. "At the end of the day, I have no idea, and that pure, serene, ignorance has become, itself, a funny kind of solace," she writes in a letter to her deceased husband. So, I think it'd be really cool to explore that either in future Quantum Realm stuff or if somehow I got sucked out into the surface world or something, any of that would be fun. Therefore, when Kevin shows Eva the scar from the childhood accident, he tells her that it is the most honest thing that Eva ever did to him. Swinton gives an outstanding performance, somehow managing to repeatedly convey implacability and vulnerability in the same moment. Was he acting out to punish Eva? In Maternal Horror Film: Melodrama and Motherhood, Sarah Arnold identifies how mothers as characters suffer from a Manichean oversimplification, or as she calls it the unstable ideology of idealised motherhood. Helmed by Scottish filmmaker Lynne Ramsay based on the Orange Prize-winning eponymous 2003 novel by Lionel Shriver, 'We Need to Talk About Kevin' is a jarring, erratic, and sometimes profoundly disturbing 2011 psychological thriller that creates an uncanny place in the viewer's mind. This cycle is beautifully written and acted by Swinton, so much that you can't help but empathize with her despite her own assurances that every drop of blood her son ever spilt is on her hands, an image weaved throughout the movie. What kind of a kitchen has empty counters? We see it perfectly after he blinds Celia - Eva attempts to confront him about what he's done, and he sits chewing a water chestnut to impress the image of plucking out an eye on Eva, just to watch the horror on her face. He seems to recognize that he has some advantage over her. Three days before turning 16, Kevin unleashes chaos in his school. Jokes are fine, but don't post tactless/inappropriate ones. We see this throughout Kevin's early developmental journey. However, the story's unflinching refusal to provide answers for who was responsible carries over. The red paint of vandals stains her car and the front of her house. Copyright | This is why, in the final scene, he no longer knows why he performed the massacre. Jake Martin, visit our special Oscars season blog, Movie Minister.. There seems to be almost no form of abuse she is not willing to take as belonging to her for what has happened. In You Were Never Really Here, Joaquin Phoenix was a hitman beset by PTSD. Ramsay builds on Shriver's idea of internalised blame with how Eva sees herself following the tragedy. Kevin, it seems, is a volatile Holden Caulfield for the generation. This is also true of Eva, but we see the conflict in her about her son's mental state. otakucode 11 yr. ago Updated Date: Franklin himself lives in a state of demented decency, deceiving himself that his family are living acceptable lives. Best Little Sites is not liable for inaccuracies, errors, or omissions found herein. Sometimes Zuzu's petals are all you have to hold onto. It asks, "who is to blame when something horrific happens?". If you look one level deeper it's clear that Kevin was deeply and horribly emotionally abused by both of his parents, and in a genuinely loving family he would not have turned out the way he did. He doesn't have the emotional capacity to have a disturbed son, and so has decided that he doesn't and that's the end of it. Did they create a monster, or was he born that way? Likewise, don't respond to trollish comments; just report them and ignore them. Starring Tilda Swinton, John C. Reilly She finally gets her excuse to abandon Kevin but doesn't act on it. BBC Films The victims of those who go out with a bang are miniscule in comparison to the number who go out (extinguish themselves) in solitude with nary a whimper. Movies. At first glance, it would seem that Kevin is yet another installment in the pantheon of post-modern films intent upon assaulting the human desire to give meaning to the world. The past and present intertwine as Eva recalls Kevins formative years from childhood to adolescence, hoping for clues on what went wrong. Kevin does things to Eva in this movie that are so cruel that an evil demon seems to be regarding her from his eyes. ROHAN: Was there anything major cut that you remember shooting? Eva can only play at being mommy, and so when Kevin refuses her attempts to breastfeed and is only appeased by the presence of his affable father, played by John C. Reilly, her whole world crashes down around her and her value as a person comes into question. Rated R In a fit of rage at Kevin's soiling his diapers (at 7), Eva throws him down and breaks his arm. Hes a friendly and vibrant young priest and a gifted preacher. Written by Julia Wolf. American release: January 27, 2012. For instance, the ball game Eva plays with a toddler Kevin: when Kevin successfully rolls the ball back to her, her praise is strained and brittle. ROHAN: Since Jentorra and most of her freedom fighters make it out alive, have you heard anything about coming back for more Quantum Realm adventures down the line? We Need to Talk About Kevin by Lionel Shriver plays with the deepest fears of the majority of people. She created a relationship which encouraged him to act out as horribly as possible to get the most honest reactions from her, because she only ever showed him her real emotions when she was disgusted. In 1975, he won the Pulitzer Prize for distinguished criticism. While she's on the run when we meet her, it's the arrival of Scott (Paul Rudd) and Cassie Lang (Kathryn Newton) that brings her right back into the thick of the action. In Morvern Callar, Samantha Morton grieved her boyfriend's suicide. Last March, Bruce Willis family said his aphasia had affected his cognitive abilities. And it works - Eva's confrontation was brutally dishonest, but after his reaction she's barely containing her seething rage and the truth of it is all over her face. It's no secret that We Need to Talk about Kevin is intended to challenge your assumptions about the people we think of as "evil." We see Kevin as a troubled kid who may need greater care. I got to try some fight choreo, but all in all, yeah, it helped me prepare, I will say I was much more excited to be a good guy instead of a lame, side character, bad guy. and our Not that she has a ton of options she struggles to find work and be accepted by those around her. Apparently even before he began to talk, Kevin made a vow to punish Eva for her feelings. But Kevin is just getting started, and his final act will be be Kevin's mother struggles to love her strange child, despite the increasingly dangerous things he says and does as he grows up. But Kevin is just getting started, and his final act will be beyond anything anyone imagined. It is a world where any attempts to offer a message of mercy, conversion and redemption must be done deftly and authentically, because at the end of the day, sometimes the community wont rally around you and more often than not Mr. Potter carries the day. And the whole thought was just to fight and keep fighting? The most plausible answer is that Kevin killed the family to hurt his mother. None of this is done in a straightforward fashion. Kevin's insidious nature is best exemplified in a scene staged in the aftermath of Celia losing her eye. I think Jentorra felt a little betrayed by her, and there was no real reconciliation with them at the end. Kevin appears in a short sleeve red shirt as a toddler. This is the scene where the film begins and the ending comes full circle revisiting the moment of rupture in Evas life. Meanwhile, Kevin is planning something that would shatter Evas world forever. Kevin is a defiant baby who screams incessantly but never around Franklin. However it wasn't in the film I watched today and I can't find the scene anywhere..did I just imagine this scene?! It'd be so much fun. After this episode, Eva and Kevin seemingly become more affectionate towards each other. Together, with Hopes parents Janet van Dyne (Michelle Pfeiffer) and Hank Pym (Michael Douglas), and Scotts daughter Cassie Lang (Kathryn Newton), the family finds themselves exploring the Quantum Realm, interacting with strange new creatures and embarking on an adventure that will push them beyond the limits of what they thought possible. Growing up with a cold mother does not turn one into mass murdered either. It discloses its narrative fitfully, in snatches and gobbets that make sense only gradually, like the . So, me, I'm surrounded by comedy, and I have to bring the reality of what's going on. Jake Martin, visit our special Oscars season blog, Movie Minister. Go. As she leaves, a troupe of tiny ballerinas in tutus run past her. He is her., Her identity forever defined by the horrors inflicted by her son, Evas punishment is her loneliness. We Need to Talk About Kevin (2011) photos, including production stills, premiere photos and other event photos, publicity photos, behind-the-scenes, and more. From the beginning, Eva is detached from motherhood. Selena Gomez recently opened up on how the autoimmune condition is affecting her weight due to water retention from all the medication in her recent Tik-Tok live stream. A prolific writer and the ostensible head of a travel agency, Eva cares more about her own unfulfilled wishes than her ever-menacing son. The truth to motherhood is a harsh one. In this one, it is Kevin's triumph. Roger Ebert was the film critic of the Chicago Sun-Times from 1967 until his death in 2013. The film primarily shows you the pathos of evil by painting a portrait of a deeply and violently disturbed young man from his mother's point of view, and you watch how this relationship built and how that pathos developed. Children seldom get that attention, though. The kind of clothes one chooses is also indicative of ones social status. Eva finally asks why he did it. This is the fear of parenthood. Left to pick up the pieces is his mother, Eva (Tilda Swinton). There are two really great examples of this: the first is the bow. ROHAN: Jentorra does have a comics counterpart, did you draw on those stories to inform your backstory or did you work with Peyton to create anew backstory for the film? Kevin grows up to be ever more distant. Starring: Tilda Swinton,John C. Reilly,Ezra Miller Watch all you want. Or to put it differently, Ramsay more or less stays true to the novel's somewhat callow and, at times, hysterical approach to the rich questions of maternal doubt. The colour red is a recurring motif in the film. They never talk about Kevin. See production, box office & company info. Eva takes incessant trips down memory lane to cope with her past loss. A lawsuit could force the F.D.A. Something just happened. We gather she didn't want to get pregnant, isn't sure why she's married, is a mother who tries to mask hostility with superficial kindness. A suspenseful and gripping psychological thriller, WE NEED TO TALK ABOUT KEVIN explores the relationship between a mother and her evil son. Her body can't absorb more punishment. It must be something like this to have a nervous breakdown. Directed by Peyton Reed and produced by Kevin Feige, p.g.a. She is less interested in the nature vs nurture debate, more in the crippling weight of societal expectations of motherhood. He is loving and affectionate with his father, Franklin (John C. Reilly), and has a way of making it clear that it's a deliberate charade designed only to hurt Eva. Annie Graham in Hereditary is conflicted by feelings of love and hate, resentment and remorse, towards her son. Little matters like washing blood red paint off the windows of her diminished home that angry residents have vandalized, become rituals of self-abnegation and penance. For Kevin, maternal love and attention have become completely conflated with disgust and fear. It's hard not to see some of Eva's frustration at her changed lifethey leave the city and she is left with most of the child careas manifesting in a kind of resentment of Kevin.
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